Come on -Who are You?
Anonymity, the use of Nom de plumes, Nom de guerre, Pen Names and
Pseudonyms is a perfectly acceptable practice used by writers and
entertainers throughout the ages. It has not been considered in any
way disreputable or discreditable. There has been an explosion of
writing and the consequent ability for people to express their
opinions and ideas, unconfined by the established gatekeepers. This
has provoked a lot of po-faced protectionism among elitists in the
press and the Internet. Most writers have one or two
pseudonyms; one Internet Web-site lists more than 55 writers
who use more than 10 pseudonyms each, and one Edward
Alexander Crowley having 150!
Newspapers and Magazines and Journals take a two
faced view on the use of pseudonyms.
While it is acceptable that editors, leader writers, diarists and
junior reporters do not have usually have their identity know to the
readers, letter and article contributors can only in certain
circumstances, and at the discretion of the editors be allowed to
write anonymously providing their full identity is given to the editor
and therefore available to other staff, not all of whom can be trusted
to keep the information confidential. All writers have all the same
reasons for wanting to use anonymity - because their subject matter is
sensitive or controversial; because they need personal or professional
protection; have prolific output or conflicting aims; need to distance
themselves from personality laden responses, or avoid gender or other
discrimination. New writers often find it difficult to get published
because editors prefer to use the same few well known names or
academics, in preference 'unknowns' with new ideas.
Several years ago Doris Lessing revealed that she
had written two novels under the pseudonym Jane Somers to dramatise
the difficulties faced by unknown writers.
The rationale for this restrictive attitude by editors is that they
need to know who their contributors are. Why? providing they do not
publish anything that would be libellous what possible constraint can
there be on them not to publish letters or articles written under
pseudonyms? I think the opposition to anonymity and use of pseudonyms,
and the free expression it allows, is an extension of the elitism of
the traditional print medium and electronic media and is an attempt to
resist any challenge to their ability to control the flow of
information and ideas.
This phenomena has increased in proportion to the growth of writers
on the Internet which has given non-professional writers the
confidence to challenge the elitism that has been built up by the
established publishers and editors, who have a formidable stranglehold
over traditional print outlets.
The Internet allows complete anonymity much to the annoyance
of some.
Some of this opposition to anonymity on the Internet often comes
from people who feel secure because they never say
anything controversial anyway, and I suspect
that many more of these po-faced critics who supposedly want openness
of discussion, are people who cannot judge an argument without the aid
of their prejudices and it annoys them when this is withheld. There
are also posters who are unable to reply unless they have something
personal to latch on to in order to divert attention from debate that
they may be unsure of or losing!
Anonymity does not in any way restrict full frontal
attack by anyone who disagrees with the material, but it does force
people to consider only the contents of a post. It does not
denote 'lack of openness' but forces reply to the content without
attacking the person, and further, it also avoids any accusation of
self promotion by the writer.
There are very good reasons for those of us who have controversial
ideas on politics and religion to want to post anonymously.
Suppression of controversial political ideas is often the reason, and
atheist ideas have been more comprehensively suppressed
throughout history than most topics, and there are still considerable
dangers in posting material critical of religions and the church.
Fiction writers lead the field
Fiction writers often write under names other than their own,
usually for promotional reasons, but also for all the same reasons as
for any other writers. They may want to write in a genre other than
the one that their reading public is used to, have more than one book
or article, coming out in a short space of time. They may want to
express views that would not go down well with their existing public
persona or reputation, and affect their sales or likelihood of getting
published. And for new writers they may have a name that is for some
reason unacceptable for their image, it may already be the name of
another well known person, or may be unattractive! ''I
wanted a fresh reading; I wanted to escape from my own identity."
said Joyce Carol Oates a prolific writer.
"While it is not unprecedented for novels by
the same author to be published in one year, publishers tend to think
that one book a year - particularly in fiction - by an author is about
as much as customers, reviewers and literary critics will bear".
(JCO)
Writers may be known for a particular lifestyle, pattern of
behaviour or scandal that would colour the way in which their ideas
are received, but which have no bearing on the content of the book or
article.
Sex, Gender, Race, Politics and Religion and personal
security
These are areas of writing in which individuals have personal
reasons for wanting to use created identity. In their every day lives
there may be very valid reasons for wanting to keep their ideas and
opinions from friends and relatives who could be adversely affected by
the expressions of opinion alien to them. Opinions or ideas that run
counter to the prevailing consensus on these issues are the most
obvious ones to need the anonymity afforded by the pseudonym.
There are also issues of personal security in areas of writing
particularly on the above issues that are especially likely to
endanger the well-being of writers. On any topic on which there are
fanatical extremes of belief there is the ever present danger of
attracting the attention of 'nutters' on the prowl looking for
targets.
Then there are the situations in which for personal and
professional reasons individuals need anonymity in order to be able to
express their views. Whistle blowing or people wanting to bring issues
out into the open that superiors or those in authority do not want
bringing out.
Women are at a particular disadvantage
in writing and participating in discussions on the Internet. Many
women will attest to this and may explain the apparent reluctance of
women to post onto
news groups and forums and message boards, on which there is vigorous
discussion of serious issues. This subjective experience is also born
out by researchers who have found that women are often placed at a
disadvantage in interpersonal communication contexts by social
conditioning and expectations. Neither is this discrepancy confined to
the Internet. One has only to survey the contents, and especially the
letters printed in national press and journals, to wonder why the
ratio of men to women writers is so unequal!
"Consistent with our expectations, people
apparently felt more comfortable participating to a greater extent in
CMC (Computer-mediated communication) when they were able to mask
their identities. Whereas women felt the need to project a
cross-gender identity, men did not. Our observation that women have an
increased tendency to mask their gender concurs with a similar finding
of Selfe & Meyer (1991) and underscores the implicit social
pressure that women feel when interacting in mixed-gender situations.
The tendency for women to mask their gender identity might reflect an
effort to maintain a parity of status in the shared activity of
conversation, an imperative which men would be less likely to feel in
a mixed-gender setting.
In such a virtual social reality, people may try to
mitigate gender-related expectations by exhibiting cues that identify
them as the members of the opposite sex, i.e., cross-gender, or which
are gender-neutral. CMC also opens up the possibility for humans to
interact in ever-increasing numbers of virtual communities. The
combination of a CMC-based shared virtual reality, which affords its
members the ability to design their exhibited identities, may present
us with a view of what is possible in a "real world" with
different
CMC users might feel less constrained by the
gender-based stereotypes and social expectations which dictate
communication behaviour. This, in turn, might reduce theoretical
asymmetries between the sexes regarding both power-related,
relational, and socio-emotional discourse (Tannen, 1990).
In seeking to express themselves more independently,
women will show a greater tendency, than men, to conceal or disguise
their gender in mixed-gender communication contexts which facilitate
gender anonymity or pseudo- anonymity."
Women have been socialised to display qualities of
social interdependence. This socialisation results in communication
patterns exhibiting socio-emotional discourse, conflict avoidance,
restrained assertiveness, expressions of support for others, and
disclosure of personal information (Tannen, 1990). Conversely, men
have been socialised to display qualities of hierarchical, power-based
assertion and independence. Men therefore tend to assert opinions,
avoid expressing support toward others, and avoid personal
self-disclosure in conversation."
see:-http://research.haifa.ac.il/~jmjaffe/genderpseudocmc/abstract.html
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